International Journal Online of Humanities https://ijohmn.com/index.php/ijohmn <p>International Journal Online of Humanities (IJOHMN) is a bi-monthly, open access, peer-reviewed journal. The journal is published by Smart Moves publications. The main objective of IJOHMN is to provide an online platform for researchers. The journal was granted ISSN No 2395-5155 in 2014. IJOHMN first issue was published in December 2014 since then it is continuously publishing quality research papers. The journal is published by SMART MOVES publications, Bhopal, India.</p> <p><strong>Aims and Scope for publication:</strong></p> <p>The primary objective of IJOHMN is to offer an online open-access platform for international researchers. </p> <p><strong> </strong>IJOHMN aims to publish research papers on theoretical and thematic approaches to English literature and linguistics.</p> <p><strong>PORTICO</strong></p> <p>IJOHMN is preserving open access e-journals with Portico, ensuring that their content will be secure and available into the future. Portico functions as a dark archive. PORTICO provides a permanent archive of electronic journals.</p> <p><strong>PKP PN</strong></p> <p>IJOHMN is preserving published manuscripts with <a href="https://ijohmn.com/index.php/ijohmn/management/settings/PKP PN IJOHMN is preserving published manuscript with PKP PN ensuring that the content will be secure and available into the future. PKP PN functions as a “dark archive”. PKP has developed the PKP Preservation Network (PKP PN) to digitally preserve OJS journals. The LOCKSS program offers decentralized and distributed preservation, seamless perpetual access, and preservation of the authentic original version of the content.">PKP PN</a> ensuring that the content will be secure and available in the future. PKP PN functions as a “dark archive”. PKP has developed the PKP Preservation Network (PKP PN) to preserve OJS journals digitally. The<a href="http://www.lockss.org/"> LOCKSS</a> program offers decentralized and distributed preservation, seamless perpetual access, and preservation of the authentic original version of the content. </p> <h3 align="left"><strong>DOI Crossref</strong></h3> <p><a href="https://search.crossref.org/?q=ijellh" target="_blank" rel="noopener"> IJOHMN </a>is a member of the DOI Crossref, USA. Crossref (formerly styled CrossRef) is an official Digital Object Identifier (DOI) Registration Agency of the International DOI Foundation. It is run by the Publishers International Linking Association Inc. (PILA) and was launched in early 2000 as a cooperative effort among publishers to enable persistent cross-publisher citation linking in online academic journals. </p> <p> </p> en-US <h3>You are free to:</h3> <ul class="license-properties"> <li class="license share"><strong>Share</strong> — copy and redistribute the material in any medium or format</li> <li class="license remix"><strong>Adapt</strong> — remix, transform, and build upon the material</li> <li class="license commercial">for any purpose, even commercially.</li> <li class="license commercial"> <div id="deed-conditions" class="row"> <h3>Under the following terms:</h3> <ul class="license-properties col-md-offset-2 col-md-8" dir="ltr"> <li class="license by"> <p><strong>Attribution</strong> — You must give <a id="appropriate_credit_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by/4.0/" data-original-title="">appropriate credit</a>, provide a link to the license, and <a id="indicate_changes_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by/4.0/" data-original-title="">indicate if changes were made</a>. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.<span id="by-more-container"></span></p> </li> </ul> </div> <div class="row"> <ul id="deed-conditions-no-icons" class="col-md-offset-2 col-md-8"> <li class="license"><strong>No additional restrictions</strong> — You may not apply legal terms or <a id="technological_measures_popup" class="helpLink" tabindex="0" title="" href="https://creativecommons.org/licenses/by/4.0/" data-original-title="">technological measures</a> that legally restrict others from doing anything the license permits.</li> </ul> </div> </li> </ul> contact@ijohmn.com (Dr Sapna Tiwari) contact@ijohmn.com (Sandeep) Tue, 30 Aug 2022 00:00:00 +0000 OJS 3.3.0.11 http://blogs.law.harvard.edu/tech/rss 60 Ecologized Humanity Versus Humanized Ecology: Critical Approach to Camera Narratives in Cinematic Arts https://ijohmn.com/index.php/ijohmn/article/view/251 <p>In postmodern cinematic arts, specifically commercially successful ones, the presence of the director on screen through the camera's position could be perceived as a limitation against the notion of heteroglossia, even if the script requires an objective narrative technique. When the script suggests only characters’ Point of View shots (PoV) or multi-vocal narratives, camera position from the director’s or audience’s eye level is a common filming practice. Therefore, a grand narrative or subjective point of view predominates the representation of voices, whether intending to centralize or decentralize camera storytelling. This paper is not arguing about treating all voices—whether human or nonhuman—equally in a particular scene; instead, this paper critically points out filmmakers’ eco-conscious contribution to cinematic arts. Through an inductive qualitative approach, this paper criticizes this humanized ecological portrayal where ironically, ecocide is celebrated in mainstream cinema. So, this study prescribes the incorporation of ecologized humanity by reconsidering camera positions. As social justice pedagogy highlights inclusivity, like literary studies, in filmmaking techniques, ecology should not be a victim or margin the way it was with class, gender, and race. Undeniably, the environment has been filmed mainly as a background or collateral damage. This paper also shares insights into such paradoxes where human protagonists are seen on a ‘heroic’ voyage to save the world performing ecological catastrophic actions.&nbsp;</p> Ahmed Tahsin Shams Copyright (c) 2022 Ahmed Tahsin Shams http://creativecommons.org/licenses/by/4.0 https://ijohmn.com/index.php/ijohmn/article/view/251 Tue, 30 Aug 2022 00:00:00 +0000