Chorography of Contemporary Migrations and Fractured Identities in Kamila Shamshie’s Novel Home Fire

Abstract

In the realm of literature, representation extends beyond mere inclusion; it demands accurate and nuanced portrayals of diverse identities. Identity, a multifaceted construct encompassing dimensions such as race, gender, sexuality, and class, is a central theme explored by authors to unravel the intricacies of human experiences. This research article investigates the theme of contemporary migrations and fractured identities within the context of Kamila Shamsie’s novel Home Fire (2017). Employing the concept of chorography – a method that maps and represents spatial and cultural phenomena – the study delves into the intricate portrayal of identity in the novel. It scrutinizes how characters grapple with their cultural, religious, and personal identities amidst the backdrop of migration.

The article illuminates the challenges faced by migrants, particularly those from Muslim backgrounds, as they navigate cultural assimilation, religious identity, and the clash between tradition and modernity. Migration, as depicted in the novel, becomes a catalyst for the fragmentation of identities, unraveling struggles with belonging, cultural boundaries, and the profound impact of political and social factors. Additionally, the research explores the role of memory and history in shaping characters' identities and their experiences of migration.

This earnest exploration aims to provide a comprehensive understanding of the intricate relationship between contemporary migrations and the fractured identity of the Muslim community on a global scale. By contributing to existing literature on migration studies and identity formations, the article sheds light on the profound impact of fractured identities on characters' sense of belonging and their interactions with others. Through a meticulous analysis of the text, the article reveals the intricate ways in which these fractured identities resonate within the narrative, adding depth to discussions on Pakistani English Literature, representation of identities, Muslim religion and individual identity, and the pervasive issue of Islamophobia.