Women's Bodies, Agency, and Resistance: Feminist Revisions in Contemporary Indian Fiction
DOI:
https://doi.org/10.24113/gkqb7q26Keywords:
Feminism; Body Politics; Agency; Resistance; Contemporary Indian Fiction; Gender; Women's Writing; Patriarchy;Abstract
The representation of women in Indian fiction has undergone a profound transformation over the last few decades, moving beyond conventional portrayals of female suffering to more complex explorations of identity, agency, and resistance. Contemporary Indian women novelists have increasingly challenged patriarchal constructions of femininity by presenting the female body not merely as an object of social control but as a dynamic site where power, desire, memory, and selfhood are negotiated. This paper examines how contemporary Indian fiction reimagines women's bodies as spaces of resistance against entrenched patriarchal structures. Drawing upon feminist literary criticism, postcolonial feminism, body politics, and theories of gender performativity, the study analyses seven significant novels: The God of Small Things, Difficult Daughters, Ladies Coupé, The Dark Holds No Terrors, The Binding Vine, The Thousand Faces of Night, and Mistress. Rather than treating these novels individually, the paper adopts a thematic and comparative approach to explore recurring concerns such as bodily autonomy, marriage, sexuality, domestic violence, silence, memory, and female solidarity. It argues that these narratives move beyond depicting women solely as victims of patriarchal oppression and instead foreground their capacity to negotiate, challenge, and redefine oppressive social structures. Through acts of speaking, remembering, writing, loving, refusing, and surviving, the female protagonists reconstruct their identities in ways that disrupt dominant cultural narratives surrounding gender. The study further demonstrates that contemporary Indian women writers employ innovative narrative strategies to recover silenced histories and reclaim women's embodied experiences. By examining the intersections of gender, culture, class, and power, this paper highlights the evolving feminist imagination within Indian fiction and argues that the female body emerges not only as a contested political space but also as a powerful symbol of resilience, self-determination, and transformative resistance.
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References
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